Feux follets Lyrics: Instrumental. Feux follets. Franz Liszt “Feux follets” Track Info. Written By Franz Liszt. Music Video.
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Its rapid double-note passages in the right hand accompanied by wide broken intervals in the left are notoriously difficult to play.
List of compositions by Franz Liszt. Best way is stretching your fingers. Please Support Our Advertisers.
Solutions concerning technique and interpretation
AdminGlobal ModMod. Definitely aspire to work on the music you listed; all of them are great pieces. Quote Originally posted by Palindrome: Does it really matter how fast you can play double notes beyond a certain point?
There is no end of learning.
I can play it at Music is one thing that cannot be rushed; believe me, I have made the mistake before. Also in the third movement of his 3 concerto about halfway throughthere’s a passage in double notes that sounds just like that too.
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In addition, the passages are often asymmetrical and unpredictable. Help keep the forums up and running with a donationany amount is appreciated!
Forums 40 TopicsPosts 2, Members 91, The only advice that I can give is, be patient. Sometimes it is just genetic. Don’t bother if you can lliszt it at Can you play it all the way through at tempo with good accuracy?
One thing I’d like to lisztt that I read somewhere: I need way more practice. I am an amateur pianist too. Slenczynska then learned the piece, using “hand positions that would have made Leschetizky blanch,” but we don’t really know what her performance sounded like.
Transcendental Étude No. 5 (Liszt)
But work your way up to them. Anyway, Liszt’s teacher was Czerny as you might know. This article about a classical composition is fsux stub. I am curious about how you practiced Op25 N12, because I am about to start working on it soon.
I am afraid that I can’t help you much other than giving short advices on this forum sorry.
Liszt FEUX FOLLETS!!!!????Plz Help – Piano World Piano & Digital Piano Forums
I went through almost all the Czerny etudes, scales, arpeggios, I even studied Hanon and several study books of Beniamino Cesi extensively in my early years. Quote Originally posted by Chopin Did you know that Lhevinne studied op 25 no 6 for ten years before playing it in public? Pianissimo and leggierissimo markings abound in the double note sections making it more difficult to play.
This helps with accuracy because what you are doing is just playing the same arpeggio at different places on the keyboard. Did you start both hands together, or one at a time? These two pieces and their associated problems with double notes keep coming up for ilszt in all sorts of places. Richter can play feux follets at about speed. It is singularly the most technically difficult piece of the whole set. Is it not more important to accommodate and understand the musical beauty of a work and gradually bring your technique into harmony liszg the overall vision, instead of worrying about whether you can run a four minute mile as well as Peter Snell?